From An Innocent in the House of the Dead

John Lee in the Red Jump Suit of Death Row

John Lee in the Red Jump Suit of Death Row

 

DEATH ROW

He was an accidental package, thrown away
to float upon the surface of the world,
an obstacle, a mouth to feed,
the nuisance bastard of a rough man’s wife,
a punching bag, a dog to kick,
a pale-skinned black boy good for nothing
but to shove aside, to mock,
to stare at with that hard and silent
slow-neck-turning straight-on stare
that sees so little and yet says so much.

An ordinary story his, the giddy highs off gasoline,
the Bull malt liquor and Wild Irish Rose,
the swift onrush from foster home to foster home,
group home to group, as though he traveled
down a glass-slick tunnel with the four harsh
winds of fate exploding at his back,
his panicked hands flung out to seize
whatever shone along the way—a box of donuts
and an apple pie, a winter coat, a pair of shoes
with solid soles, a pack of socks, a watch, some bikes—

until a handgun, loaned out of his grandma’s purse
to a cat who called him cousin, friend,
slammed him, spread-eagled like a cartoon character,
against the tunnel’s silver-badged,
blue-uniformed dead end.
And then the slave-like hobbles, lost-child mug shots,
and the prison label black, ignoring half his ancestry,
the stunned astonishment at what he had become.
And after that, beneath a high, shrill,
ever-burning light, the long slow dirge
of days and years toward the needle’s fatal,
sympathetic slide into his arm.

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